Saturday, August 31, 2013

Free market dynamics: Rajni Bakshi




Rajni Bakshi, whose book Bapu Kuti inspired Ashutosh Gowarikar’s Swades, now explores free market dynamics through her work Bazaars, Conversations and Freedom

Long before the current economic meltdown became public knowledge, this journalist-turned-author was busy exploring whether free market was the only way forward for world economies. And now, with her book Bazaars, Conversations and Freedom: For a market culture beyond greed and fear, Rajni Bakshi is all set to question conventional market wisdom, even as a worldwide recession recedes into the background.

“The market economy can be vigorous and productive, but also amazingly foolhardy and degenerate. The world is now more engaged in working out how mindless markets can be made to function better with the help of other institutions,” says Bakshi, who has been writing in a wide variety of English and Hindi newspapers and magazines for the last three decades. Bakshi says that on November 9, 2009, it will be 20 years since the fall of the Berlin Wall, after which globalisation can said to have been truly ushered in. “Twenty years after that epoch-making event, the question which arises is whether free market is the only way ahead or can there be different kinds of free markets, leaning greatly towards sustainable development? Also, my book raises the question whether the free market should be allowed to become supreme and all-powerful?” says the author, whose book Bapu Kuti inspired the motion picture Swades, starring Shah Rukh Khan and directed by Ashutosh Gowarikar.

Bazaars, Conversations and Freedom is packed with stories about people who diagnosed the fatal flaws in an economic system driven by greed and fear, long before the present meltdown. From Wall Street icon George Soros and VISA card designer Dee Hock, we get an insider critique of the malaise. Creators of community currencies and others, like the father of microfinance, Bangladesh’s Muhammad Yunus, explore how money can work differently. The Dalai Lama and Ela Bhatt demonstrate that it is possible to compete compassionately and nurture a more mindful market culture,” says this Homi Bhabha Fellow.

“The book takes the reader from the ancient Greek Agora, Indian chaupal, and gift culture of Native Americans onto present day Wall Street to illuminate how the market can serve society rather than being its master,” asserts Bakshi, whose earlier books include The Long Haul: The Bombay Textile Workers Strike; The Dispute over Swami Vivekananda’s Legacy; Bapu Kuti: Journeys in rediscovery of Gandhi and An Economics for Well-Being.


Has the Indus script been deciphered !! ??



Historian Dr Malati Shendge claims to have finally deciphered the Indus script through her soon-to-be-released book Unsealing the Indus Script: Anatomy of Its Decipherment


ONE of the lasting mysteries in the ancient historical arena and which, till date, has not been conclusively resolved – the decipherment of the Indus Script – may finally be on the verge of unraveling, if recent findings by historian Dr Malati Shendge are an indication. With her soon-to-be-published book titled Unsealing the Indus Script: Anatomy of Its Decipherment, Shendge, also an Indologist, has put forth the results of studies she has been conducting since 1999.

“More than 100 attempts have been made to decode the Indus Script in the past, and all have come up with chequered hypothesis, with some scholars saying the script denotes tantric mantras to others claiming they are names of gods and goddesses,” informs Shendge. “Through my studies and interpretation of over 350 inscriptions, however, I have come to the conclusion, backed by references, that these are mundane and secular economic documents,” she adds.

Seventy-five-year-old Shendge goes on to say that there are two specific findings she has come up with – one, that the Indus script is logographic (signs which have only meaning and not sounds) and two, that the signs and symbols were used for keeping a record of accounts and economic transactions. “My findings are that the script is logographic, which means it only gives out meanings of signs and not sounds. This is because in the early days of writing, the language was not associated with symbols. However, out of a necessity to preserve the details of economic, administrative and trade transactions, and as an aid to memory, symbols derived from traded items were carved on clay/stone/copper plates/pottery,” she claims. “These signs were used to enlist items received, stored, handed over and so on. As such, the short inscriptions found on Indus seals are actually lists of items/goods transacted and give us a glimpse of the economic system of the Indus Valley Civilisation,” adds Shendge.



Counterpoint

A group of researchers at the Tata Institute of Fundamental Research (TIFR), Mumbai has also been working at deciphering the Indus Script for the past three years now. The team consists of Prof Iravatham Mahadevan, Prof Mayank Vahia, Dr Rononjoy Adhikari, Dr Rajesh Rao, Scientist Nisha Yadav and Hrishikesh Joglekar. Speaking on behalf of the team, Prof Mayank Vahia says they are adopting a purely scientific approach of going one step at a time in deciphering the Indus script at present. “We do not claim to have deciphered the script; we are still trying to identify its grammar and the sequencing of various inter-signs and their order of writing,” says Prof Vahia. “As on date, we have no opinion on Dr Malati Shendge’s claims; we wish her all the best. While she may have reached the top of the peak, we are still at the bottom, trying to learn the basics of the decipherment,” he adds.

(This article was first published in The Indian Express, Pune)

Art deco






A popular international art design movement between 1925 and 1940, art deco architecture in Pune stands out for its distinctive design -- a combination of opulence and geometric shapes

While watching a movie at the Victory Theatre on East Street, Camp have you noticed the sharp curves and arches which embellish its façade and the sturdy woodwork that makes up its interior? All these design elements, brought forth so beautifully in this 73 year-old building, constructed in the art deco style. Set apart by straight, white-rendered house frontages leading to flat crowns, stridently geometric door surrounds and elevated windows, convex curved metal corner windows, art deco had a huge influence on design of public buildings and house design from 1925 to the 1940s.

Not restricted to just architecture, art deco was a popular international art design movement, which held sway over the decorative arts such as interior design, industrial design, fashion, painting, the graphic arts and film. Seen as functional, elegant, glamorous and modern, the movement was a mixture of Art Nouveau, Futurism, Constructivism, Cubism, Neoclassical and Modernism. Among the art deco public buildings still standing in Pune are the Victory Theatre, Hotel Sunderban and O Hotel in Koregaon Park. Among residences, the bungalow next to the Don Bosco Centre on Koregaon Road and the now unoccupied bungalow on the traffic junction opposite Rani Lakshmi Bai Park on East Street.

Although art deco experienced a resurgence in popularity with the increasing bent towards graphic design in the 1980s, it had already fallen out of favour during the late 30s and early 40s. “The reason why art deco went out of circulation was because, with time, load-bearing structures gave way to RCC (reinforced cement concrete) structures. RCC buildings were easy to build and less time-consuming, whereas load-bearing ones took a long time to construct and were naturally, more expensive,” says architect Deepak Guggari.

While other art design movements had social and political undertones, art deco was a purely decorative form; it was to have a deep influence on many later artistic movements, such as Memphis and Pop Art. “While it may have been a profound art, it was definitely not an affordable one. Art-inspired architecture has historically fulfilled two main purposes – encouraged art and generated employment and the main benefactors of art deco were either royalty or established businessmen. With changing times and altered requirements, the long drawn process of putting up an elaborate art deco structure naturally took a beating,” informs Guggari.

Surviving examples of art deco architecture in India can be seen in the Metro, Gaiety and Eros theatres in Mumbai, along with many residential buildings dotting South Mumbai. In fact, Mumbai has the second largest number of art deco edifices in the world after Miami. Florida (US). Pune being in close proximity to the commercial hub of India logically absorbed the design influences of art deco. Across India, cities such as Bhopal, Lucknow, Hyderabad, plus several more, in the hinterland, boast of art deco buildings.

Farokh Chinoy, part of the management at the Victory Theatre says it opened for the public on August 6, 1936 and was quite the rage in town. “It was earlier called Capitol and was renamed as Victory only in 1987, after Mrs Dina Dara Sukhia won a protracted legal battle to gain it back. So it was a personal victory for her and hence the name. Everything here, from the gangway to the balustrades, from the staircase to the interiors, have a distinctive art deco bearing,” says Chinoy. “However, not many people realise the immense heritage value of the structure when they come over to watch movies here,” he adds.


The great art build-up


· Art Deco is based on mathematical geometric shapes
· Considered to be an eclectic form of elegant and stylish modernism
· Influenced by a variety of sources, including primitive arts of Africa, Ancient Egypt and Aztec Mexico
· Terracotta sunburst design in gold with a blue background is a typical art deco design
· Popular themes in art deco were trapezoidal, zigzag and jumbled shapes
· Art Deco was an opulent style, and its lavishness is attributed to a reaction to the forced austerity imposed by World War I

Osho Chappals: Sole mates




Synonymous with Pune, the Osho chappals remain as popular as ever. A behind-the-scenes look at how these evergreen flip-flops are manufactured


Whoever said footwear was just meant to offer protection to your feet, surely had not seen, much less worn, the Osho chappals. Although the basic design of these ‘chappals’ or flip-flops is simple, bordering on plain, what is not so easy to either explain or understand, is the fame they have garnered. For nearly two decades now (by conservative estimates), the Oshos (as these slippers are popularly known), in their trademark jute and mat-layered soles, their bright velvet straps and their stupendously-cheap pricing, have meant many things to many people. For some, it best symbolizes freedom, while others slip them on ;-) since they make quite a unique style statement. For most, though, Oshos are synonymous with uber-chic urban fashion and their price range (Rs 50-300) only helps lure most young-at-heart Puneites.

But just ‘how’ are these flip-flops made and when was the first pair manufactured? “The very first pair was manufactured over 18 years ago, in 1990. At that time, we had a small family business, inside the Osho Ashram, from where we made the chappals,” reveals Santosh Bhonsle, owner, Laxmi Stores in Lane No. 1, Koregaon Park (KP). “The only people who bought Oshos back then were foreign sanyasis who used to frequent the Ashram. As the years went by, more and more Indian customers started buying from us,” adds Bhonsle.

Bhonsle lets us in on the process of manufacturing these slippers and says that first jute sheets are pasted on rubber, which is then cut into various sizes. “Once we have pasted the jute mats onto the rubber soles, we add another layer of jute netting, to give the chappal more strength. After the pasting is done, we cut the chappals according to various sizes. And later, we add the velvet straps, in various colours,” says Bhonsle, who has a mini-factory in Lohegaon which manufactures these evergreen slippers.

Named Oshos after the Osho Meditation Resort located in the same lane, this is one pair which every Pune student and yuppie possesses. “They are cheap and so cool. Plus, even though they are open-toed, Oshos definitely make a very confident style statement,” says Nisreen Kuwajerwala, an MBA student. Seconding her views, Sanjay, another stall-owner in KP says it’s because Pune has such a huge student population that the Oshos sell so well. “Once Pune became an educational hub, the sale of Oshos soared and since then, there has been no looking back. Our most regular customers are students, foreign tourists and young professionals,” he adds. “Since they are eco-friendly and very easy on the pockets, most customers are more than happy to buy several pairs at one go,” asserts Sanjay.



Lasting footprints

· First manufactured in 1990, by sellers inside the Osho Commune
· Preferred by foreign visitors, Osho chappals later became popular among Indian buyers
· A layer of jute mats are pasted on rubber, which is then cut into various sizes and then, velvet straps in varied colours are added
· Popular among students, yuppies and of course, foreign tourists at the Osho Commune
· Eco-friendly and reasonably-priced

Architect A Kanvinde: The fountainhead




Speaking at the first Architect Achyut Kanvinde Memorial Lecture, Balkrishna Doshi hailed him as the pioneer of modern architecture in India




“Although he came from an art deco architecture background, there was an aspiration in him, an aspiration to do something different in a country where things were changing at a fast pace, everyday,” said renowned architect Balkrishna Doshi, while delivering the keynote address at the first Architect Achyut Kanvinde Memorial Lecture at the Chandrashekhar Auditorium at the Inter-university Centre for Astronomy and Astrophysics (IUCAA) on November 21. “I believe as an architect, you cannot create what you are not, and going by this diktat, Kanvinde came across as a humane, sensitive individual. His buildings spoke volumes about his humanity and also indicated that he was searching for his own self, through his works,” Joshi added.

With his signature buildings, including the Indian Institute of Technology (IIT), Kanpur, National Science Centre, Delhi, National Institute of Immunology (NII), Pune, numerous dairy buildings under National Dairy Development Board (NDDB) and several other works, Kanvinde left his mark on the modern school of architecture, in fact, being one of the pioneers of the movement. “It was a time when everyday something new was being created and India was just coming to terms with its newly-acquired independent status. Kanvinde gave full rein to his innate creativity in such a charged environment,” said Doshi, speaking of the period (1950-60) in which Kanvinde created masterpieces in stone and concrete.

“In each of his buildings, whether residential, commercial or government complexes, one can see an attempt to break away from traditional architectural design and yet, design them keeping in mind all the aspects conducive to a great building (such as climate, use of space, orientation and aesthetics),” revealed Doshi to a packed auditorium on a chilly Saturday evening. “His ultimate concern was for his profession and for society and that came through quite effortlessly in all his works. Kanvinde traveled extensively across the country and always made it a point to carry books and magazines along. He used to say the long travels gave him time to read, reflect and introspect. Kanvinde’s stellar contribution can be summed up succinctly as that depicting plasticity, humility and humanity,” he added.

The ‘H’openhagen summit



Environmentalists feel the climate change conference at Copenhagen will carry weight only if participating nations reach a conscientious agreement to arrest global warming

Twelve years after the Kyoto Protocol, touted as the definitive international agreement to arrest global warming, was adopted by world nations in Kyoto, Japan, under the United Nations Framework Convention on Climate Change (UNFCC), global warming remains as pressing a problem as it was prior to 1997. So, as the Copenhagen Summit gets underway from today and continues till December 18, the need for a seminal climate change agreement has never been more urgently felt. However, going by past reluctance of developed countries to commit to legally-binding carbon emission cuts and disinclination of developing nations to agree to discriminatory carbon burden-sharing, the outcome of the Copenhagen Summit is anybody’s guess.

“It’s been a pattern with developed nations; all these years, they have been breaking all the rules that they expect developing nations to follow,” says Ramachandran of Kalpavriksh, a Pune-based environment action group. “For sustainable development, it’s imperative that developed nations, the biggest polluters, start by conserving energy and human resources, before dictating terms to others,” he adds.

With the early effects of global warming now being increasingly felt, it can no longer be pushed under the carpet, as has been done in the years since the Kyoto Protocol was approved. And hence, the Copenhagen (also dubbed Hope-nhagen by environmentalists) summit assumes much significance. “We can no longer afford to postpone a decision on global warming. All development till date has been uneven and lopsided, in favour of developed countries. To top it, these nations create environmental mess and then want developing countries to clean it up. This has to stop,” asserts Dharmaraj Patil of Centre for Environment Education (CEE), Pune.

With Prime Minister Manmohan Singh recently announcing his decision to be present at Copenhagen, Denmark on December 17, just days after India (the world’s fourth biggest emitter) announced its aim to cut carbon intensity by 20-25 percent (by 2020 compared to 2005 levels), the consensus reached at Copenhagen is bound to have long-term implications for both our planet and the future of humanity. However, as Patil puts it, “Developed nations must make common cause with developing ones to save our planet; otherwise it will be too little, too late.” Continuing in the same vein, Ramachandran says rich nations are digging their own graves by refusing to accept the gaping reality of climate change. “The time for decisive action has arrived. There can be no further procrastination on this issue and everyone should realize this once and for all,” he adds on a sombre note.


Warming Up

· In 2012, the Kyoto Protocol to prevent climate changes and global warming runs out and there’s an urgent need for a new climate protocol. Hence, the Copenhagen Summit
· Government representatives from 170 countries expected to be present at the 11-day-long summit, from Dec 7 to 18, along with NGOs, journalists and others
· ‘Burden-sharing’ to be the point of contention at the summit. Climate scientists say by 2050, the world must cut emissions by 80 per cent compared with 1990 levels to limit global warming
· A Guardian poll reveals almost nine out of 10 climate scientists doubt political efforts to restrict global warming to an additional two degree centigrade average rise — the level the European Union defines as ‘dangerous’ — will succeed

A fleeting glance at Fleet Street (and other alleys)



Molly Ivins, The Texas Observer columnist once famously said: “I don't so much mind that newspapers are dying --- it's watching them commit suicide that pisses me off.” Had she been alive to witness The News of the World’s (NoW) demise, the irreverent political commentator would have pulled out all stops in calling a hack a hack (given ‘hacking’ is the flavour of the season on Fleet Street).

Which brings us to another question. Would things have turned out different had NoW been headed by someone other than the marmalade-haired Rebekah Brooks? Had some bloke called Hack-neyed Storey helmed it, would it have toned down the criticism against this epic print version of The Devil Wears Prada?

I – someone who converts coffee into copy (another borrowed line) -- think not. And before this is taken to be a defence of the street where truth and veracity pay only a fleeting visit, let’s say it like it is. It would have. Because --- all talk of feminism and parity at the workplace notwithstanding --- for women in media, the glass ceiling only seems to be getting higher.

Shift the drama to India and media coverage of the lead players would put the hinterland’s ‘journals’ ---- Manohar Kahaniyan and Satya Kathayein ---- to shame. Case study one: A famous (not popular) tv journalist’s marital status and her interest in the affairs of her spouse’s disputed home state would come under heavy fire – both from right-wingers and from those afflicted with temporary sexual dysfunction at the sight of assertive females. Case study two: Then there would be sly, malicious hints dropped about a Maoist-sympathising editor having ‘compromised’ to become a name to reckon with at her feisty weekly.

Buried under the reams of newsprint rotting at the raddiwalla’s, of course, would be the years of hard work and late nights, the jibes, ribald jokes and innuendos spewing forth from colleagues, that female journalists resign themselves to.

That India has not had an Elizabeth Brenner (executive VP, Journal Communications, Associated Press) or a Katherine Weymouth (Publisher, Washington Post) speaks volumes – in banner headlines – about the country’s media. It also raises (uncomfortable) questions about the mindset – of both men and women -- that puts affiliation and networking before professionalism and merit.

Where, for every Homai Vyarawalla, Mrinal Pande or Prabha Dutt becoming a household name, 20 others give up the ‘fight’ midway. Leaving one to wonder if Paul E Schindler Jr was being cheeky or prophetic when he said, “Every word I wrote was ephemeral, as evanescent as baby's breath, and had the shelf life of fish.”

The Unsung Mutiny of Sehore

The Sipahi Bahadur uprising of 1857 has been unduly neglected, given that it yielded one of the first secular self-governments during the British Raj. A report by Shalini Rai
Artist's impression of the Sipahi Bahadur uprising (by Samia Singh)
Ramjulal
Risaldar Wali Shah
 Koth Havaldar Mahavir


More than 150 years ago, the Revolt of 1857 stirred the sleepy conscience of India and pitched infant nationalism against established imperial might. Historians described it as the first war of independence and innumerable books were written on this important milestone on the road to freedom.

Yet, very few people know of the Sipahi Bahadur uprising and of 356 soldiers killed in cold blood on January 14, 1858, in a nondescript town in central India. About 154 years after the incident took place in Sehore (Madhya Pradesh), most Indians remain in the dark about it.

That’s hardly surprising, because there has been a systemic black-out of this episode of the first war of Independence. An episode that shocks as much as it awes. Ninety years before the British left India, Sehore --- about 30 km from Bhopal --- had declared independence from British rule.

On August 6, 1857, Risaldar Wali Shah led a group of soldiers, who rebelled against Sikander Jehan Begum, the Nawab of Bhopal (who paid allegiance to the British). These soldiers, fed up of being paid insufficient wages, issued sub-standard ration and shabby uniforms, set up a parallel government, complete with its own civil and criminal courts and an administrative council.

A staunch nationalist, Risaldar Wali Shah exhorted fellow soldiers --- most notably Koth Havaldar Mahavir, Arif Shah, Ramjulal, Adil Mohd Khan and Fazil Mohd Khan --- of the Bhopal Contingent Force, stationed in Sehore, to take up arms, saying: “The British are being hounded out of the whole of Hindustan. Not so in Bhopal state. We do not owe our lives to any Raja, Nawab or Begum.”

In the five months of its existence, Sipahi Bahadur (as against Company Bahadur or the East India Company, the de facto rulers of India till 1858) provided possibly one of the first instances of a parallel, secular government in India within the British Raj. “It was the beginning of serious attempts at a tryst with colonial modernity,” says Dr Biswamoy Pati, associate professor of History at Delhi University. Says Dr Shriram Tiwari, Director, Culture, Madhya Pradesh, “The rebel government was staunchly secular. It had two standards – Nishan-e-Mohammadi and Jhanda Mahaviri ---- that were raised together to symbolise Hindu-Muslim unity.”

Sipahi Bahadur inspired the people of Sehore, Bhopal, Sagar and other areas under the erstwhile state of Bhopal to shrug off tyranny-induced apathy and replace indolence with audacity. Lending strength to their cause was the citizens’ unflinching faith in a shared culture and simmering resentment against the Nawab of Bhopal and her British cohorts.

Shaharyar M Khan, former foreign secretary of Pakistan and a descendant of Nawab Sikander Jehan Begum, says on page no. 98 of his book The Begums of Bhopal, “…in August 1857… Bhopal mutineers, under the banner of the Sepoy Bahadur revolt, attacked the British garrison in Sehore…”. Khan states further, “The rebel forces… gained sufficient strength to declare an alternative government in Sehore which called itself the Sepoy Bahadur government. They took control of Sehore and even set up a military court.” Soldiers of Sipahi Bahadur were embittered by the callous attitude of the Nawab of Bhopal towards pressing issues of daily concern.

As the nation joined hands in 1857, they were emboldened to make a final push for dignity and freedom. What followed was the biggest-ever challenge to the viability of the Bhopal state. By December 1857, the determined soldiers and their innumerable plainclothes supporters had garnered enough military resources and civilian support to lay siege to Gauhar Mahal, residence of the Bhopal Nawab.

Hemmed in by rebels in a landlocked state, Sikander Jehan Begum waited for the raging tide of nationalism to ebb and for the British to come to the rescue of the state of Bhopal, now shaken to its foundations. Expectedly, the Sipahi Bahadur movement was crushed with an iron hand and dealt a death blow, literally, on January 14, 1858. On this day, 154 years ago, as India awoke to celebrate Makar Sankranti, 356 rebel soldiers were put to sleep. In an incident that continues to stain the collective conscience of this central Indian area, the rebel soldiers were shot en masse in Sehore.

“It was the highest number of soldiers executed during the Revolt of 1857 in Madhya Pradesh. Of them, 195 were with the artillery unit and 159 were infantry soldiers,” says Dr Shambhu Dayal Guru, a veteran historian based in Bhopal. The incident finds mention on page no. 56 of Hayat-e-Sikandari, based on the life and times of Sikander Jehan Begum and edited by her great-grandson General Obaidullah Khan.

This radical bunch of soldiers found support from Rani Lakshmi Bai of Jhansi and the last Mughal emperor Bahadur Shah Zafar. While Lakshmi Bai wrote to the Nawab of Bhopal thrice, asking her to desist from taking British assistance to crush Sipahi Bahadur, Zafar lent moral support to the revolutionaries by sending personal notes of encouragement to their leaders. “This incident is a little-known facet of the Revolt of 1857,” says Dr Suresh Mishra, another Bhopal-based historian and author of four books on the Revolt of 1857.

What Dr Mishra and for that matter, most people in Bhopal, do not mention is the organised manner in which the January 14 massacre has been erased from public memory. When these bravehearts were alive, every effort was made to intimidate, entice, con and coax them into laying down arms and to crush their rebellion. A century-and-a-half later, Sipahi Bahadur remains an unpleasant reminder of an uncomfortable relationship between the rulers and the ruled.

Were history written by victors, Sipahi Bahadur would have been banished to anonymity and obscurity. Yet, if you are reading this today, it’s because despite the rebellion having been ruthlessly crushed, the episode remains a nagging memory for people in the proverbial heart of India. It is a tragedy made more poignant because it has been condemned by decades of denial. Sipahi Bahadur differed from other uprisings of 1857. Its leaders knew any movement that resorted to acts of violence and arson to effect regime change could only be short-lived.

That’s why they put in place government machinery, complete with civil and criminal courts, a council and a state emblem. Soldiers part of Sipahi Bahadur rebelled due to issues common to other revolutionaries of 1857. Yet, how poorly they were treated is evident from one of their nine demands: “The soldiers should not be served stale rotis.”

http://tehelka.com/story_main51.asp?filename=hub210112Unsung.asp
http://www.bbc.co.uk/hindi/specials/1156_1857_rarepics/page7.shtml

Monday, August 26, 2013

Pune's Albert Edward/Wadia Library: A Voluminous Journey

A 134-year-old library on Pune's East Street is the favoured haunt of students, pensioners and book lovers alike


The Albert Edward Institute and Cowasji Wadia Hall and Library is clearly past its glory days. Its once magnificent arches need a fresh coat of paint. The old furniture requires much sprucing up. The welcome, musty smell of thousands of books gets a tad too overpowering.

But the library, set up in 1875, boasts of quite a glorious past. “In 1872, Prince Albert Edward (afterwards King Edward VII) came to India and paid a visit to Poona. This was the first such occasion since the British conquest of India and it was decided to suitably commemorate it,” relates a historical account of the Library, written in 1952 by M C Medora and Dr A Dias.

“The library was first opened on a small scale in 1875. In 1878, the present site, formerly the Cantonment Jail, was granted and the new building was inaugurated in 1881 by Sir James Fergusson, the then Governor of Bombay,” says the account.

Open on all days of the week (from 8 am to 1.30 pm and from 4 to 7.30 pm) the library is popular with students, senior citizens and book lovers, owing to its large collection (17,000) of books and periodicals, on topics ranging from history to meteorology and philosophy to anthropology.

Kanchan Karvekar, librarian since 1993, informs how it’s mainly students preparing for civil services, medical, engineering and CA (chartered accountancy) entrance who head for the solitude of the place. “These days, mostly students and pensioners make their way here. College students and those appearing for competitive exams also come over,” Karvekar adds.

The Albert Edward Institute and Cowasji Wadia Hall and Library, Pune 





However, Shivaji Kamble, who’s been the caretaker here for the last 34 years, says he’s disappointed with the reducing number of students. “Not many people read books or novels these days. When I had started working here, things were so different and there were many regulars,” he says. Ask one of the regulars Dr Gurpreet Ahluwalia why she comes here and she replies, “I am preparing for PG medical entrance and the quiet ambience here helps me concentrate. Also, when I get tired of studying, I pick up magazines and newspapers for some light reading.”


Ditto for Anupama Hiramwale, who’s doing her first year of Law. “It’s really conducive for studies and with the kind of atmosphere I get here, I can grasp tough, lengthy concepts with ease,” she says.

Even if you aren’t a student or a pensioner, head to this haven of books to get a taste of a different era and a different world. You’ll not come back disappointed, just looking forward to devouring more of the printed matter…!

http://www.indianexpress.com/news/a-voluminous-journey/429693/0

Save the Earth --- Set sail on an Earthship. Now..!

It's functional and fun.


They say at any given time, several people around the world are thinking about and may be, even doing, the same things. I thought I was one among very few people who were 'thinking' of building earthships (I guessed even fewer had heard of it). But a quick search revealed that a good number of people were ACTUALLY building these sustainable homes -- tyres and all. And to top it, many among these were doing so in India..! (Yeah, we could say I'm not clued in, at all.!)

Eco-friendly does not spell unaesthetic. Look at that..!

If there's such a thing as a mild dampener mutating into a major motivator, this bit of news would easily make the cut. With so many earthships ready to get off ground (yet stay there), there is a revolution in the works, people. Even though, at this moment, it may seem (incorrectly) to be nothing more than a few folks with a lot of time on their hands trying to do too little to make too big a difference in this a small small world...

It can literally be your green space in an ugly, concrete-infested world.

These links may help explain why earthships are the homes of the future as we stare at a bleak present for having learnt nothing at all from our glorious eco-friendly past:

http://earthship.com/
http://www.youtube.com/watch?feature=player_embedded&v=aIrOupHnScE#!
http://www.earthshipkaruna.net/

A REVIEW: The Last Mughal, The Fall of a Dynasty, Delhi, 1857 by William Dalrymple


A REVIEW: Indira, The Life of Indira Nehru Gandhi by Katherine Frank


Indira Gandhi’s birth was as accidental (no pun) as her death was meticulously planned and executed. However, it is in the interim that she left her lasting influence on the politics and history of the Indian sub-continent. Katherine Frank’s biography, Indira, The Life of Indira Nehru Gandhi, helps provide a fresh perspective on the first woman Prime Minister of India.

Though Indira is credited with the liberation of Bangladesh (1971), the first Indian nuclear test (1974), abolition of privy purses for erstwhile princely states, integration of Sikkim into the Indian Union (1975), she is more often than not remembered for imposition of the Emergency in 1975, for excesses committed by Sanjay Gandhi during the period and for the disastrous handling of the Punjab crisis, which eventually led to her assassination. Frank attempts a fair appraisal of Indira Gandhi in her work, taking us through her early childhood, adult life and the years as Prime Minister, in all detail possible in a 500-page book.

Snow. Meadow. No rainbow, though

Raised amidst the politically-charged environs of Anand Bhawan in Allahabad, Indira’s first memory is of a bonfire of English clothes on the verandah of Anand Bhawan. Her early years were punctuated by frequent journeys to Europe for Kamala Nehru’s tuberculosis treatment. Jawaharlal Nehru was almost perpetually behind bars. Growing up in such an atmosphere, Indira became sensitive, moody and diffident. Frank tells us how Indira hated striking a match, for it reminded her of the bonfire of foreign goods which consumed her favourite doll. Or how she could not bear thunder and lightning and the sound of high winds in the trees, for it transported her to the Black Forest in Germany where Kamala Nehru lay dying in a sanatorium, with Indira alone beside her.But this was also the time that helped make Indira independent and content in her own company and moulded her as the leader and stateswoman she emerged as decades later.

The Indian Matriarch with the Queen of England


Though Jawaharlal Nehru and Indira had a close relationship, the former was always pedantic with her. Her donning on the mantle of Prime Minster was again a ‘negative decision’ and prompted by her perceived political ‘indistinctness and ambiguity’. In this comprehensive biography put together over six years by Frank, Indira Gandhi comes across not as hawkish and ruthless but as a woman dominated and dictated first by her father, then husband Feroze Gandhi and finally, by son Sanjay Gandhi.

It's raining iron, men..!
And for a major part of her life, victimised by her own family and by political opponents for being an independent and daring woman, who did not hesitate in speaking her mind and taking bold, unpopular decisions. Not for nothing is she called the ‘Iron Lady of India’.

Indira may have had her ups and downs during the decade-long tenure in office. But what remains unimpeachable is her genuine love and concern for the country, revealed through a valedictory note found among her papers after her death. It says, “If I die a violent death…. the violence will be in the thought and action of the assassin, not in my dying – for no hate is dark enough to overshadow the extent of my love for my people and my country; no force is strong enough to divert me from my purpose and my endeavour to take this country forward…” 

A Review: It Isn't Easy Being Taz Dhar (by Dawood Ali Mc Callum)





This is one novel which will make sense only if you plan to sit through it and not give up midway. And there are many reasons why you could end up being frustrated with this story. There is just too much of beating about the bush, not getting to the point, building up the central character. And the basic premise of the plot is not all that clear. It’s about The People versus The Others.

And how the former (involving police and intelligence agencies around the world) try to subvert and take over the lives of the latter (the poor and the homeless, the refugees and the downtrodden).Tasneem (Taz) Dharwalla, a down-and-out broadcast journalist gets a letter from a man named Armitage Shanks, which sends her off in pursuit of the ‘story of her life’.

The novel by Mc Callum is about the journey Taz undertakes to uncover the truth behind the letter written by the impossibly named Armitage Shanks (actually the name of a sanitary equipment manufacturer in the UK). It takes her to back-of-beyond destinations in Europe and Africa, before the denouement in India.

A gripping read, atleast after the first 50 pages, the novel makes you sit up and think twice about all that you took for granted. The highest police, civil authorities and the media – all hand in glove for what seems to me a reprehensible rationale. Anyway, it makes for a roller-coaster ride, as you travel with Taz and face the ghosts of her childhood, her drinking problem and her down-in-the-dumps career, and come out on the other side in a good enough condition.

A Review: The Inheritance of Loss (by Kiran Desai)





I had first read Kiran Desai's Hullabaloo In The Guava Orchard as a gangly teenager, wishing to impress peers and parents with having read 'n' number of 'serious' books. But just as I was surprised and overjoyed at how enjoyable a read Desai's (supposedly serious) Hullabaloo was, so was I taken aback by the striking work of art that The Inheritance of Loss is.

Released after a gap of 8 years, Desai's second novel is the story of life in Kalimpong for a young Sai, bereaved of her parents and with only an old, insensitive grandfather and his old but caring cook for company.The novel takes you through Sai's life in the rain-drenched hills, with a teenage romance with her Nepali tutor Gyan and a Nepalese insurgency brewing in the backdrop.

And then goes back and forth between Kalimpong and Manhattan, where the cook's son Biju works as, what else, a cook. The discrimination he faces, the reality of life for Indians (especially the illegal, poor immigrants) abroad and Biju's decision to return to India -- all make for interesting, thought-provoking and sometimes profound reading. She gives you a sense of having been there, having felt rather than seen, the miseries, hopes and joys of people like Biju and his father.

There's a strong undercurrent of empathy running through Desai's novel. And that's may be because it's a story which closely resembles her own life, while growing up as a 13-year-old in Kalimpong and so totally cued in to everything related to the mountains around her. From her observations of the pitter-patter of rain on tin roofs, to the pall of mist and fog which envelops the pretty town, to the inclusion of the majesty and awe-inspiring Kanchenjunga, almost as a character in the novel -- Desai gets it all correct, right down to the most minute and miniscule observations.It's a great read, nothwithstanding the criticism The Inheritance of Loss came in for, for its portrayal of the Gorkhaland Movement. I, for one, believe that those who fail to appreciate this one, even briefly, will surely have come into the inheritance of (literary) loss....

A Review: Address c/o 56 APO (by Brig Vivek Sapatnekar)






















I'd just been asked to do a review of a book by Brig (Retd) Vivek Sapatnekar intriguingly-named Address c/o 56 APO: Location Unknown (Reminiscences of an Army Life). It's one thing to have an opinion about every famous novel and quite another to critically read and comment on one.

Brig Sapatnekar, who was also a prosecution witness (witness No. 186) in the Rajiv Gandhi assassination trial, grew up in a middle-class Maharashtrian household in Pune. A second generation officer, Sapatnekar's younger brother, father and paternal uncle all donned the olive green uniform.

Born in the year of the historic Quit India movement, Sapatnekar went to school in a 'Poona' where, as he describes it, "There were more tongas than cars and more trees than people." Soon, this bright student of the Bishop's School joined the NDA.

At NDA, the Drill Saab (Drill Instructor), by mispronouncing his surname, made him Cadet Safed-nicker, a funny surname which stuck for quite a while. After three eventful years at Khadakvasla, it was destination Dehradun, and the Indian Military Academy (IMA) for him.Here too, there was no dearth of memorable incidents which were a staple of Sapatnekar's life.

One such incident which stands out is that of a ceremonial parade, during which the warm, muggy day took its toll on many a cadet, tired of standing in the sun for long hours. Yet, as Sapatnekar puts it, "In the Army, there are strict procedures for doing everything in the approved soldierly manner, from tying shoelaces to fainting on parade. If a GC (Gentleman Cadet) wants to faint, he must not. If he still wants to faint, he must do it like a soldier and that means falling to the ground ramrod straight, like a log, balli ke jaise."

Commissioned into the 4th Battalion of the Parachute Regiment or 4 Para in 1961, Sapatnekar became the commanding officer of 10 Para in 1978. Before that, he participated in the Indo-Pak War of 1971, served in places as far apart as the Rann of Kutch, Sikkim, Ladakh and Nagaland. He was also the Assistant Military and Naval Attaché to the Indian Embassy in Washington DC and an instructor at the Defence Services Staff College, Wellington, along with being part of the Indian Peace Keeping Force (IPKF) in Sri Lanka.

Written in a lucid style, the book is more than just the recounting of past events or the chronicle of a distinguished career in the Army. It's an entertaining and thought-provoking read, with several incidents (like those about Commando Sukkha; God 'shave' the Queen; Miss Liberty and Miss Freedom and The Odd Couple) staying with you after you've finished reading it from cover to cover.Yet, the lasting impression you get is that of all the human qualities, empathy and good humour are surely the most enduring. In Sapatnekar's words, "To safeguard privacy, names have either been eliminated or changed. Their resemblance to persons living is purely coincidental. For that, they have my sympathy."

A Review: The Secret Supper by Javier Sierra


FROM THE AUTHOR -- Javier Sierra -- HIMSELF....!

; Javier Sierra AUTHOR (@JavierSierraUSA) https://twitter.com/JavierSierraUSA/status/372276616506146816">August 27, 2013


The Last Supper by Leonardo da Vinci

In quick succession, I've finished reading two novels with several common threads running through them. After Dan Brown's fast-paced, though incredibly exhaustive (sometimes exhausting) The Lost Symbol, I found myself with a dusty version of Javier Sierra's The Secret Supper.

Both books have similar themes: an impending golden age of knowledge, the immortality of the soul and 'true Christianity'. Javier Sierra takes us back several centuries, into the 1400s and tells the story of a priest who goes on an 'inquisition' to the north of Italy but ends up taking the secrets of those he went to probe (the Cathars) with him to his grave.



Croix Occitane


In the interim, he witnesses the completion of The Last Supper by Leonardo da Vinci, interacts with the great artist and is captured by the Cathars but released unharmed later.

The book is too detailed and lacks in pace in the first 50-odd pages. However, as it gathers momentum, it captures your imagination and leaves you pleasantly surprised in many ways. Rightly, as one of the blurbs on the book's cover puts it, "After finishing this book, you'll never see The Last Supper in the same way again."

It also helps see in new light a number of other aspects of the story. The most important of these is revealing the flip side of Christianity -- the Cathars -- efforts to crush whom have been on, unsuccessfully for nearly 800 years now.

Albert Einstein said this of religion: "I do not believe in the God of theology who rewards good and punishes evil. My God created laws that take care of that. His universe is not ruled by wishful thinking, but by immutable laws." Einstein believed that "there is some kind of intelligence working its way through nature. But it is certainly not a conventional Christian or Judaic religious view."

The Secret Supper, translated from Spanish by Alberto Manguel, succeeds at burning at the stake many conventional beliefs. It does so just as other novels like The Gospel of Mary of Magdala (by Karen King), The Lost Symbol and The Da Vinci Code (Dan Brown) are now openly asserting long-held contradictory views on one of the world's newer religions.

Mary Magdalene by Leonardo da Vinci


The recent discovery of a papyrus fragment by a Harvard professor (Karen King) that mentions Mary Magdalene as Jesus' wife may just be another 'sign' that we are ready for a renewed approach towards spirituality.

Mentioned below is an account of how the Cathars saw themselves, recorded in 1143 or 1144 by Eberwin, Prior of the Premonstratensian Abbey of Steinfeld writing to Bernard of Clairvaux (St Bernard):

"We are the poor of Christ, who have no fixed abode and flee from city to city like sheep amidst wolves, are persecuted as were the apostles and the martyrs, despite the fact that we lead a most strict and holy life, persevering day and night in fasts and abstinence, in prayers, and in labour from which we seek only the necessities of life. We undergo this because we are not of this world. But you, lovers of the world, have peace with it because you are of the world. False apostles, who pollute the word of Christ, who seek after their own interest, have led you and your fathers astray from the true path. We and our fathers, of apostolic descent, have continued in the grace of God and shall so remain to the end of time. To distinguish between us and you Christ said "By their fruits you shall know them". Our fruits consist in following the footsteps of Christ.
(Sancti Bernardi epistolae, (letter 472, Everwini Steinfeldensis praepositi ad S. Bernardum) cited by Walter L Wakefield & Austin P Evans Heresies of the High Middle Ages, (Columbia, 1991) p. 129.)

Jesus and Mary Magdalene


The Cathars shared some significant ideas with other religions, the most notable being Hinduism.
Zoe Oldenbourg, in a book on the Cathars named "Massacre at Montsegur" (Montsegur is the name of the castle in the Pyrenees where the Cathars held their last stand) writes:
In this respect, too, the various Cathar sects show certain discrepancies between one another. Some of them claimed that the total number of these 'lost souls' was limited, and that they merely migrated from one body to another, in a continual sequence of births and deaths - a view very much akin to the Hindu doctrine of metempsychosis and karma. (Massacre at Montsegur by Zoe Oldenbourg p 35)
Oldenbourg adds:
Be that as it may, the Cathars, generally speaking, acknowledged the doctrine of metempsychosis as held by the Hindus, with the same precise calculations governing posthumous retribution for the individual. A man who had led a just life would be reincarnated in a body better suited for his further spiritual development; whereas the criminal was liable, after his death, to be reborn in a body full of flaws and hereditary vices - or even, in extreme cases, in that of an animal. (Massacre at Montsegur by Zoe Oldenbourg p 35)

A view of the Montsegur ruins




For related information, go to:

http://www.blavatsky.net/newsletters/albigenses.htm
http://harvardmagazine.com/2012/09/new-gospel
http://www.midi-france.info/02_intro.htm

Busting myths: Apples, Fairness Creams, Catharsis, Mary Magdalene, Pandora's Box, Nobel Peace Prize

An apple a day brings ill-health shockingly near

Rotten apples

Whoever said ''An apple a day keeps the doctor away,'' surely never ate one himself/herself. Going by the amount of chemical residue in the world's apple crop -- fungicides, pesticides, fruit-ripening chemicals and everything in between -- only the very brave or the very callous would willingly eat apples these days.
The main apple-growing states in India are Jammu and Kashmir, Himachal Pradesh. Uttarakhand and Arunachal Pradesh produce some apple crop too. 
For a little profit and ease of cultivation, India's apple farmers are putting the health of Indians at serious risk. Even animals do not bite the hand that feeds them. The greedy, careless apple-growers of India clearly think different.

Chemicals used on the apple crop in India:

1. Dithane M-45 fungicide -- manufactured by Dow Chemicals, the multinational responsible for the Bhopal Gas Tragedy of 1984.
2. Bavistin -- This fungicide has already been listed in the UK under ''Immediate Revocation of Uses for some Products Containing Carbendazim due to Reduced Maximum Residue Levels'' . Put simply, it is too harmful for human consumption.

There is insufficient information available about the harmful effects of toxic chemicals on human health. The link below gives some idea.


Rotten Apples

Links to reports on harmful chemicals in apples:


Fairness Creams

No words necessary


We slather them on daily, sometimes more than twice, thinking they'll make the skin fairer, firmer, fuller...! Yet all that fairness creams and anti-ageing creams manage to do is bleach, dehydrate and --- with regular use --- permanently damage the skin.
Here's how they do it. By using ingredients that are NOT meant to be used in cosmetic products. Some of them being titanium dioxide, mercury (yeah, you read it right!), steroids and hydroquinol. 
Given below are SOME ways in which titanium dioxide -- used in paints, inks, rubber and PVC -- can be harmful.

Titanium Dioxide 

Characteristics: High gloss, good whiteness, good dispersibility, good liquidity, extraordinary hiding power and good coloring power, good weather resisting property and chalk resistance performance.

Suitable for decorative coatings, powder coatings, coatings used in the general industry and other industries; It also is applicable to the printing ink, Paints, papermaking, plastic color master batches, PVC, the plastic steel, sectional materials, tubes and pipes, Rubber, polyvinyl chloride, polystyrene, polyolefin, engineering plastics and so on
Packing:
This product is lined film plastic bags inside and packaged fabric braided bags outside, and the net weight of each bag is 25 KG.

Item                                                      
Titanium Dioxide RutileTitanium Dioxide Anatase
TiO2Content                 93%Min                  98%Min
Tint Redusing Powe                 100% Min                    100% Min
Oil Absorption (g/100g)                   22 Max                     26 Max
Ph value                   6.5-8.0                    6.5-8.0
45 um SieveResidue                 0.1%Max                      0.1%Max
Water-soluble Matter                 0.3%Max                     0.5Max
Volatile Matter(105D)                   0.75Max                     0.40Max


Links:


Catharsis

The Oxford dictionary defines Catharsis as the process of releasing, and thereby providing relief from, strong or repressed emotions. It has also been defined as rare purgation. Its origin lies in early 19th century and it has been derived from Greek katharsis, from kathairein 'cleanse' and from katharos 'pure'.

However, the meaning attributed to this process of 'purgation' is actually the Roman Catholic Church's device of discrediting --- once more and in more ways than one --- a religious sect known as the Cathars. From 'Cathars' comes the term 'Cathars-is'. It is essentially a polite and ineffective way of masking the utter ruthlessness with which the Cathars were exterminated -- through a 'pogrom' -- by the Church from the 'established' version of Christianity. Hence the meaning rare purgation or the process of releasing attributed to Catharsis.

Read on:
The Cathars were a religious group who appeared in Europe in the 11th century, their origins something of a mystery though there is reason to believe their ideas came from Persia by way of the Byzantine Empire, the Balkans and Northern Italy. Records from the Roman Catholic Church mention them under various names and in various places. Catholic theologians debated with themselves for centuries whether Cathars were Christian heretics or whether they were not Christians at all. The question is apparently still open. Roman Catholics still refer to Cathar belief as "the Great Heresy" though the official Catholic position is that Catharism is not Christian at all.
Courtesy: www.cathar.info

Fresco by Fra Angelico, 15th century Italian. At left, Dominic holds up the "testament of the Faith," a kind of check-list of questions to ask suspected heretics. At the time, Cathar perfecti were pledged not to lie to anyone, even Inquisitors. At right is the miracle of the fire that wouldn't burn the paper.
Links:
http://catharslideshow.blogspot.in/
http://www.catharcountry.info/photos.htm




Mary Magdalene


Branded as a prostitute for more than two millennia now, Mary of Magdala or Mary Magdalene is believed to have been Jesus' wife. In the scriptures, references to her are at best, oblique and at worst, defamatory.
The reason why Mary Magdalene has been called a 'sinner' by the highest authority in Christendom can probably be found in this explanation by James Carroll in the Smithsonian Magazine:
Beginning with the threads of these few statements in the earliest Christian records, .... an elaborate tapestry was woven, leading to a portrait of St Mary Magdalene in which the most consequential note — that she was a repentant prostitute — is almost certainly untrue. On that false note hangs the dual use to which her legend has been put ever since: discrediting sexuality in general and disempowering women in particular.

Links:
http://www.smithsonianmag.com/history-archaeology/Update-The-Reaction-to-Karen-Kings-Gospel-Discovery-174981701.html?onsite_source=relatedarticles&onsite_medium=internallink&onsite_campaign=SmithMag&onsite_content=UPDATE:%20The%20Reaction%20to%20Karen%20King%E2%80%99s%20Gospel%20Discovery
http://www.smithsonianmag.com/history-archaeology/magdalene.html


Pandora's Box

The current popular discourse in India goes along these lines: Do not open a Pandora's Box by talking about violence against women inside 'safe spaces' like their homes.




In pop culture, Pandora's Box has only negative connotations. This daughter of Zeus -- created out of clay -- is said to have let out all kinds of evil into the world when she opened a box she was forbidden to. However, legend conveniently forgets to mention that as the contents of Pandora's Box were released, this first woman ever created --- according to Greek mythology --- managed to trap one last evil. That evil was hopelessness. They say someone who doesn't have hope has nothing at all. We have Pandora to thank for sparing the world of 'hopelessness'. At the bottom of her 'box' lies hope. Opening Pandora's Box cannot be all bad then.

Links:
http://greece.mrdonn.org/greekgods/pandora.html
http://library.thinkquest.org/C0119204/pandora.html

 

Nobel 'PEACE' Prize

It's a sign of the times that we have a 'peace' prize named after the inventor of dynamite -- Alfred Immanuel Nobel. Dynamite -- in other words, nitroglycerin stabilized by the addition of kieselguhr (a siliceous deposit; also known as diatomaceous earth) -- for the uninitiated, has caused a helluva lot of destruction in this world. RDX and other harmful chemical mixes are its distant cousins.
Today, the Nobel Foundation, formed after the death of Alfred Nobel, on the basis of a will -- contested by his relatives -- awards personages the world over for (among other things) working towards making the world a more 'peaceful' place. There's brutal irony in the air... and its lighting up the night, as if it were dynamite....

Links:
http://www.nobelprize.org/alfred_nobel/biographical/
http://www.nobelprize.org/alfred_nobel/biographical/timeline/



European Essay Prize awards lifetime achievement to writer Arundhati Roy

  Writer Arundhati Roy has been awarded the 45th European Essay Prize for lifetime achievement, the Charles Veillon Foundation has announce...